Throughout antiquity, men from different cultures of the world sojourned to Alkebu-Lan — Africa — in hope of gaining goodwill in Royal Courts of Kings, Queens and Puaroahs, in their desire to acquire a bride… A ‘Black Woman.’ A Goddess. The only woman in the world who could produce multi-colored progeny… — ©2017 - Les’t We Forget!
“…History tells a people where they have been and what they have been, where they are and what they are. Most important, an understanding of history tells a people where they still must go and what they still must be.” — John Henrik Clarke, PhD.
Consider this…
“Science informs us that Black Women — a group of living organisms — are the only species that possess the Mitochondrial DNA that comprises all of the possible variations that could give birth to every different kind of human being on the planet — African, Albino, European, Arab, Persian (Middle Eastern), et al. When the DNA of a Black woman mutates, other types of human beings come into existence. This process is called natural genetic engineering — or natural sequencing of genetic DNA material.”
Since her discovery by outsiders, foreign invaders, the African woman has long been the object of desire by many male centric cultures — Roman; Greek; Persian; English; German, ass well as American; et al — all paternally driven male chauvinist cultures. The different colored hands on her body in the painting below, visually depict the different males who coveted her genetic ability to reproduce different colored offspring. The images of hanging, presumably American - African males, represented by her red, white and blue tears, she shed that so vividly project the image of “strange fruit,”Imperial barbarism’s captivity, and, denotes her fear for her countryman… her African (Black) mate, who could not protect her.